SHOUT, SISTER, SHOUT!(ISBN=9780807009857) 英文原版 caj kindle 百度云 azw3 夸克云 下载 pdb pdf

　　A New York Times Book Review Editor's Pick

Long before "women in rock" became a media catchphrase, African

American guitar virtuoso Rosetta Tharpe proved in spectacular

fashion that women could rock. Born in Cotton Plant, Arkansas, in

1915, Tharpe was gospel's first superstar and the preeminent

crossover figure of its golden age (1945–1965).

Shout, Sister, Shout! is the first biography of this trailblazing

performer who influenced scores of popular musicians, from Elvis

Presley and Little Richard to Eric Clapton and Etta James. Tharpe

was raised in the Pentecostal Church, steeped in the gospel

tradition, but she produced music that crossed boundaries, defied

classification, and disregarded the social and cultural norms of

the age; incorporating elements of gospel, blues, jazz, popular

ballads, folk, country, rhythm and blues, and rock and roll. Tharpe

went electric early on, captivating both white and black audiences

in the North and South, in the U.S. and internationally, with her

charisma and skill. People who saw her perform claimed she made

that guitar talk. Ambitious, flamboyant, and relentlessly public,

Tharpe even staged her own wedding as a gospel concert-in a stadium

holding 20,000 people!

Wald's eye-opening biography, which draws on the memories of more

than a hundred people who knew or worked with Tharpe, introduces us

to this vibrant, essential, yet nearly forgotten musical

heavyweight whose long career helped define gospel, r&b, and

rock music. A performer who resisted categorization at many

levels-as a gospel musician, a woman, and an African

American-Tharpe demands that we rethink our most basic notions of

music history and American culture. Her story forever alters our

understanding of both women in rock and U.S. popular music.

暂无相关目录，正在全力查找中！

　　Gayle F. Wald is a professor at George Washington University

and the author of Crossing the Line. She wrote the liner notes for

a critically acclaimed 2003 Rosetta Tharpe tribute album. Wald

lives in Washington, D.C.--From the Hardcover edition. 　

暂无出版社相关信息，正在全力查找中！

暂无相关书籍摘录，正在全力查找中！

在线阅读地址：SHOUT, SISTER, SHOUT!(ISBN=9780807009857) 英文原版在线阅读

在线听书地址：SHOUT, SISTER, SHOUT!(ISBN=9780807009857) 英文原版在线收听

在线购买地址：SHOUT, SISTER, SHOUT!(ISBN=9780807009857) 英文原版在线购买

暂无原文赏析，正在全力查找中！

书籍介绍

A New York Times Book Review Editor's Pick

Long before "women in rock" became a media catchphrase, African American guitar virtuoso Rosetta Tharpe proved in spectacular fashion that women could rock. Born in Cotton Plant, Arkansas, in 1915, Tharpe was gospel's first superstar and the preeminent crossover figure of its golden age (1945–1965).

Shout, Sister, Shout! is the first biography of this trailblazing performer who influenced scores of popular musicians, from Elvis Presley and Little Richard to Eric Clapton and Etta James. Tharpe was raised in the Pentecostal Church, steeped in the gospel tradition, but she produced music that crossed boundaries, defied classification, and disregarded the social and cultural norms of the age; incorporating elements of gospel, blues, jazz, popular ballads, folk, country, rhythm and blues, and rock and roll. Tharpe went electric early on, captivating both white and black audiences in the North and South, in the U.S. and internationally, with her charisma and skill. People who saw her perform claimed she made that guitar talk. Ambitious, flamboyant, and relentlessly public, Tharpe even staged her own wedding as a gospel concert-in a stadium holding 20,000 people!

Wald's eye-opening biography, which draws on the memories of more than a hundred people who knew or worked with Tharpe, introduces us to this vibrant, essential, yet nearly forgotten musical heavyweight whose long career helped define gospel, r&b, and rock music. A performer who resisted categorization at many levels-as a gospel musician, a woman, and an African American-Tharpe demands that we rethink our most basic notions of music history and American culture. Her story forever alters our understanding of both women in rock and U.S. popular music.