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　　August Strindberg is one of the most enduring of

nineteenth-century dramatists, and is also an internationally

recognised novelist, autobiographer, and painter. This Companion

presents contributions by leading international scholars on

different aspects of Strindberg's highly colourful life and work.

The essays focus primarily on his most celebrated plays; these

include the Naturalist Dramas, The Father and Miss Julie; the

experimental dramas with which he created a true modernist theatre

– To Damascus and A Dream Play; and the Chamber Plays of 1908

which, like so much of his work, exerted a powerful influence on

much later twentieth-century drama. His plays are contextualised

for what they contribute both to the history of drama and

developments in theatre practice, and other essays clarify the

enormous importance to these dramas of his other work, most notably

the autobiographical novel Inferno, and his lifelong interest in

science, the occult, sexual politics, and the visual arts.

· Includes a detailed chronology which maps Strindberg's writing

against events in his life, assisting readers in understanding the

complex interplay of autobiography and fiction in his works ·

Places Strindberg's major, familiar dramatic works within the

context both of his other writings and the period during which he

lived · The first volume in English to present a complete overview

of Strindberg's life and works

List of illustrations vii

Notes on contributors viii

Preface xi

Note on references xiii

Chronology xv

List of Strindberg’s works in Swedish and English xxxii

Part I:   Strindberg in context 1

　1　August Strindberg: the art and science of

self-dramatization

　　Linda Haverty Rugg 3

　2　Strindberg and the woman question

　　Margaretha Fahlgren 20

Part II:  The works 35

　3　Learning to speak: Strindberg and the novel

　　Ulf Olsson 37

　4　Between realism and modernism: the modernity of Strindberg’s

autobiographical writings

　　Per Stounbjerg 47

　5　Miss Julie: naturalism, ‘The Battle of the Brains’ and sexual

desire

　　Ross Shideler 58

　6　Strindberg and comedy

　　Hans-G?ran Ekman 70

　7　Crisis and change: Strindberg the unconscious modernist

　　G?ran Stockenstr?m 79

　8　A modernist dramaturgy

　　Eszter Szalczer 93

　9　The Chamber Plays

　　Lynn R. Wilkinson 107

　10　The history plays

　　Matthew H. Wikander 121

Part III: Performance and legacy 133

　11　Strindberg in the theatre

　　Frederick J. Marker and Lise-Lone Marker 135

　12　Bergman’s Strindberg

　　Egil T?rnqvist 149

　13　Strindberg and modern drama: some lines of influence

　　Freddie Rokem 164

Bibliography 176

Index 184

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